31.7.08

a lovers discourse: fragments (roland barthes)

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der unheilbare
(...)
4. es gibt zwei arten von bejahung der liebe. am anfang, wenn der liebende dem anderen begegnet, steht zunächst die unverzügliche bejahung (psychologisch: betörung, begeisterung, überschwenglichkeit, verrückte projektion einer beglückten zukunft: ich werde vom verlangen, vom zwang verzehrt, glücklich zu sein): ich sage zu allem ja (und mache mich damit blind). es folgt ein langer tunnel: mein erstes ja wird von zweifeln untergraben, die liebe als wert ist unaufhörlich von entwertung bedroht: das ist der zeitpunkt der traurigen leidenschaft, der heraufkunft von ressentiment und opfer. aus diesem tunnel kann ich jedoch wieder auftauchen; ich kann ihn "überwinden" (nietzsche), ohne ihn zu beseitigen; was ich ein erstes mal bejaht habe, kann ich von neuem bejahen, ohne es zu wiederholen, denn was ich dann bejahe, ist die bejahung, nicht ihre zufälligkeit: ich bejahe die erste begegnung in ihrer differenz, ich will ihre wiederkehr, nicht ihre wiederholung. ich sage zum (alten oder neuen) anderen: beginnen wir von neuem.

creative quietude

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about wu wei (doing without doing)


3
The Sage is occupied with the unspoken
and acts without effort.
Teaching without verbosity,
producing without possessing,
creating without regard to result,
claiming nothing,
the Sage has nothing to lose.

stories of mr. keuner (brecht)

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brechts lao tse-inspired character "herr keuner" dispenses a little marxist parable for our enjoyment:

If sharks were men

“If sharks were men,” Mr. K. was asked by his landlady’s little girl, “would they be nicer to the little fishes?”
“Certainly,” he said. “If sharks were men, they would build enormous boxes in the ocean for the little fish, with all kinds of food inside, both vegetable and animal. They would take care that the boxes always had fresh water, and in general they would make all kinds of sanitary arrangements. If, for example, a little fish were to injure a fin, it would immediately be bandaged, so that it would not die and be lost to the sharks before its time. So that the little fish would not become melancholy, there would be big water festivals from time to time; because cheerful fish taste better than melancholy ones.
“There would, of course, also be schools in the big boxes. In these schools the little fish would learn how to swim into the sharks’ jaws. They would need to know geography, for example, so that they could find the big sharks, who lie idly around somewhere. The principal subject would, of course, be the moral education of the little fish. They would be taught that it would be the best and most beautiful thing in the world if a little fish sacrificed itself cheerfully and that they all had to believe the sharks, especially when the latter said they were providing for a beautiful future. The little fish would be taught that this future is assured only if they learned obedience. The little fish had to beware of all base, materialist, egotistical and Marxist inclinations, and if one of their number betrayed such inclinations they had to report it to the sharks immediately.
“If sharks were men, they would, of course, also wage wars against one another, in order to conquer other fish boxes and other little fish. The wars would be waged by their own little fish. They would teach their little fish that there was an enormous difference between themselves and the little fish belonging to the other sharks. Little fish, they would announce, are well known to be mute, but they are silent in quite different languages and hence find it impossible to understand one another. Each little fish that, in a war, killed a couple of other little fish, enemy ones, silent in their own language, would have a little order made of seaweed pinned to it and be awarded the title of hero.
“If sharks were men, there would, of course, also be art. There would be beautiful pictures, in which the sharks’ teeth would be portrayed in magnificent colors and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theaters at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks’ jaws, lulled by the most agreeable thoughts.
“There would also be a religion, if sharks were men. It would preach that little fish only really begin to live properly in the sharks’ stomachs.
“Furthermore, if sharks were men there would be an end to all little fish being equal, as is the case now. Some would be given important offices and be placed above the others. Those who were a little bigger would even be allowed to eat up the smaller ones. That would be altogether agreeable for the sharks, since they themselves would more often get bigger bites to eat. And the bigger little fish, occupying their posts, would ensure order among the little fish, become teachers, officers, engineers in box construction, etc.
“In short, if sharks were men, they would for the first time bring culture to the ocean.”

It is important, when reading Kafka, not to read him too Brodly.

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zadie smith writes about kafka, commenting begleys biographical essay:


How to describe Kafka, the man? Like this, perhaps:

It is as if he had spent his entire life wondering what he looked like, without ever discovering there are such things as mirrors.
A naked man among a multitude who are dressed.
A mind living in sin with the soul of Abraham.
Franz was a saint.

Or then again, using details of his life, as found in Louis Begley's refreshingly factual The Tremendous World I Have Inside My Head: Franz Kafka: A Biographical Essay: over six feet tall, handsome, elegantly dressed; an unexceptional student, a strong swimmer, an aerobics enthusiast, a vegetarian; a frequent visitor to movie houses, cabarets, all-night cafes, literary soirees and brothels; the published author of seven books during his brief lifetime; engaged three times (twice to the same woman); valued by his employers, promoted at work.

But this last Kafka is as difficult to keep in mind as the Pynchon who grocery-shops and attends baseball games, the Salinger who grew old and raised a family in Cornish, New Hampshire. Readers are incurable fabulists. Kafka's case, though, extends beyond literary mystique. He is more than a man of mystery—he's metaphysical. Readers who are particularly attached to this supra-Kafka find the introduction of a quotidian Kafka hard to swallow. And vice versa. I spoke once at a Jewish literary society on the subject of time in Kafka, an exploration of the idea—as the critic Michael Hofmann has it—that "it is almost always too late in Kafka." Afterward a spry woman in her nineties, with a thick Old World accent, hurried across the room and tugged my sleeve: "But you're quite wrong! I knew Mr. Kafka in Prague—and he was never late."

30.7.08

"they know they are going to die"

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this interview with physicist steven weinberg summarizes well a scientists argumentation against "a designer". 

the atheism files (a rough history of disbelief)

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from bbc 4 (educated middle class, hello) an intriguing though inconclusive documentary with jonathan miller (pt 1 of 19)

dreams

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Chef Cooks 'Dream Omelet' From Recipe That Came To Him In A Dream

29.7.08

hope, pt. 2

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this is about why happy ends are so popular in the movie industry. one explanation might be the finality of life, that death is the sad, inevitable end. agnostists are concerned, atheists are concerned, and all those under us that feel the natural urge to continue with life, with this unfinished bussiness. when one has had a full life, even, that person might want to continue with this plenitude, a plentifullness of curiosity, taking part and relishing. those who didn't have a life are even more legitimate to have a second chance at it. but the expiry is final, eternal and a loss. so, the consolation work of the illusion industry comes into play, among others into which i won't delve any further here.
on the other hand, those who belive in some kind of afterlife with its implications - justice and retribution  delivered from a supreme, omnipotent being - could see in a true happy ending the prova and reminder of transcendence, otherworldliness. in which they believe, remember? 

cable news (cnn) is on and shows live pictures from los angeles, where an earthquake has just occured. it is a reminder of worldlines: life happens with rules that are minimally under our sovereignty. so the yearning for safety, endless life, justice and deliverance is very understandable. and hollywood profits from that. 
end of transmission.
p.s. these thoughts need to be updated and deepened with the lecture of plato's symposion (banquet). to be continued. (as long as there is a "to be continued", there is a happy end)

nobility, feudalism have their own codes

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there is the garter ....and you don't have to understand.


28.7.08

ausnahmezustand

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sometimes i can't think clearly. frame from michael hanekes caché 

order of the garter (bath or gbe would be enough though)

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fantastic man no 7, which among other things deals with tom ford, the art of writing letters and pijama looks. honi soit qui mal y pense

27.7.08

post dial

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their blog is here, and myspace there

drama prairie dog

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the dream of every cameraman come true. of course you need to know the hugely popular user-generated clip as well: http://www.youtube.com/watch?v=jHjFxJVeCQs

those were the days

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a nostalgic look back to the heroic beginnings of web 2.0 with a potpourri by south park


hiroshi sugimoto

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the retrospective at the neue nationalgalerie continues until the 5th of october. it is breathtakingly beautiful. more to follow from my second viewing.

heyecanlanma, bizimkisi güzel bir delilik

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26.7.08

kraftwerk - europe endless 1977

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you can watch the video here:

http://www.youtube.com/watch?v=aGUUdSLqekI

(embedding is disabled)

Europe endless
Endless endless endless endless
Europe endless
Endless endless endless endless

Life is timeless
Europe endless
Life is timeless
Europe endless

Europe endless
Endless endless endless endless
Europe endless
Endless endless endless endless

Parks, hotels and palaces
Europe endless
Parks, hotels and palaces
Europe endless

Promenades and avenues
Europe endless
Real life and postcard views
Europe endless

Europe endless
Endless endless endless endless
Europe endless
Endless endless endless endless

Elegance and decadence
Europe endless
Elegance and decadence
Europe endless

25.7.08

obamamania, pt. 5 (media)

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fox news corespondent ("facts") glances at superstar amanpour (cnn, "liberal conspiracy")

thanks for the attention
awaiting change
beauty
fox like a hawk, gaze like an ingenue

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obamamania, pt. 4 (waiting)

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policed viewing podium
pamper
grassroots
hope!?

bored and seeking playfully

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just a little interlude

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after this short break, our programme will continue. thanks for reminding me, supernova.

obamamania pt. 3 (anticipation)

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podium
hello, mr. governor
promter-visibility-checking...shorts are so cool
shade

smile

more to follow, just checkout my flickr account for the full album: http://www.flickr.com/photos/27789046@N04/

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oil-dashboard (bear market)

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when oil rises, what happens to stocks? yeah, you're right.

obamamania, pt. 2

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“It’s not a political rally,” he added. “Hopefully, it will be viewed as a substantive, articulation of the relationship I’d like to see between the United States and Europe. I’m hoping to communicate across the Atlantic the value of that relationship and how we need to build on it.”

While Mr. Obama may well be the first American presidential candidate to deliver a speech in Berlin, several presidents have made important addresses in the city, including John F. Kennedy, Ronald Reagan and Bill Clinton. Mr. Obama shrugged off any comparisions.

“They were presidents, I am a citizen,” Mr. Obama said. “But obviously Berlin is representative of the extraordinary success of the post World War II effort to bring the continent together and to bring the West together. Then, later to bring the East and the West together. So I think it’s a natural place to talk.”

Even as supporters lined the streets in Berlin on Thursday, hoping to catch a glimpse of Mr. Obama, he conceded that a key piece of his audience is in the United States.

“There’s no doubt,” he said, “that part of what I want to communicate on both sides of the Atlantic is the enormous potential of us restoring a sense of coming together.”

24.7.08

obamamania

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the province of berlin awaits...but it can't be like june 26th, 1963 (listen to the audio of kennedys speech, by clicking here) as there is no soviet union and no wall any longer. 


satranch / raj / colonialism / british empire

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the dvd of "the chess players" by satyajit ray has been out for a year now. here is the review by andrew robinson:


Review by Andrew Robinson on 13th June 2007

“It’s a very, very complex mixed kind of thing, the entire British heritage in India”, Satyajit Ray told me after a pregnant pause when I interviewed him at length for a biography in the 1980s. “I’m thankful for the fact that at least I’m familiar with both cultures and it gives me a very much stronger footing as a film-maker, but I’m also aware of all the dirty things that were being done. I really don’t know how I feel about it.”

The opportunity to probe some of these deep equivocations in himself drew Ray to tackle a film—The Chess Players (Shatranj ke Khilari)—that differs in certain important respects from all his other 30 or more feature films, beginning with the Apu Trilogy of the 1950s. For a start, The Chess Players was easily Ray’s most expensive film, employing stars of the Bombay cinema (notably Amjad Khan, Shabana Azmi and Amitabh Bachchan as a narrator) and even of western cinema (Richard Attenborough), large Mughal-style sets and exotic location shooting (Lucknow and Rajasthan). In addition, it was Ray’s first and only feature to venture into a language—Urdu—other than Bengali. It was also his only film in which Islamic culture played a major role. Most important of all, the film was a historical drama—set during the East India Company’s annexation of Oudh in 1856, the year before the outbreak of the Indian Mutiny—which dealt directly with the Raj. Although the influence of the British is felt in most of Ray’s films in subtle ways, and he made several films set in the 19th century, The Chess Players is the only one where the Raj and its officials occupy centre stage.

Given its world premiere at the London Film Festival in 1977, The Chess Players was the first adult film about the Raj. Today, after Gandhi, Heat and Dust, The Jewel in the Crown, A Passage to India and many other Raj-related films, Ray’s film remains by far the most sophisticated portrayal of this particular clash of cultures. As the Nobel laureate VS Naipaul remarked of the film, “It is like a Shakespeare scene. Only 300 words are spoken but goodness!—terrific things happen.”

persuasion

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from here


Nanny to boy blocking slide: Hi, are you going down the slide?
(kid shakes head)
Nanny: Well, can we get past you?
(kid shakes head)
Three-year-old friend: Sam, share.
(Sam shakes head)
Three-year-old friend: Sam, share or I will leave you.

--69th & West End

strong opinions

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just found this published excerpt from coetzees excellent new novel "diary of a bad year" (published january 2008) in the new york review of books:


01. On the origins of the state

Every account of the origins of the state starts from the premise that "we"—not we the readers but some generic we so wide as to exclude no one—participate in its coming into being. But the fact is that the only "we" we know—ourselves and the people close to us—are born into the state; and our forebears too were born into the state as far back as we can trace. The state is always there before we are.

(How far back can we trace? In African thought, the consensus is that after the seventh generation we can no longer distinguish between history and myth.)

If, despite the evidence of our senses, we accept the premise that we or our forebears created the state, then we must also accept its entailment: that we or our forebears could have created the state in some other form, if we had chosen; perhaps, too, that we could change it if we collectively so decided. But the fact is that, even collectively, those who are "under" the state, who "belong to" the state, will find it very hard indeed to change its form; they—we—are certainly powerless to abolish it.

It is hardly in our power to change the form of the state and impossible to abolish it because, vis-à-vis the state, we are, precisely, powerless. In the myth of the founding of the state as set down by Thomas Hobbes, our descent into powerlessness was voluntary: in order to escape the violence of internecine warfare without end (reprisal upon reprisal, vengeance upon vengeance, the vendetta), we individually and severally yielded up to the state the right to use physical force (right is might, might is right), thereby en-tering the realm (the protection) of the law. Those who chose and choose to stay outside the compact become outlaw.


My first glimpse of her was in the laundry room. It was mid-morning on a quiet spring day and I was sitting, watching the washing go around, when this quite startling young woman walked in. Startling because the last thing I was expecting was such an apparition; also because the tomato-red shift she wore was so startling in its brevity.

the rest to be found here: http://www.nybooks.com/articles/20390

"bring owls to athens"

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but this time it's istanbul

23.7.08

baby blue

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from "the ray-ban story" on dazeddigital.com

22.7.08

struggle

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there is quite a gap 



but both look like cartoons

political foes, side by side in turkey

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this was during "happier" days

slide to unlock

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my analogue blog

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karadzic/icty

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from here:

"The Tribunal confirms that it has been advised today of the arrest by Serb authorities of the former Bosnian Serb political leader Radovan Karadzic. The Tribunal welcomes the arrest and looks forward to Karadzic's prompt transfer to the Tribunal in The Hague in order to stand trial.

Aware of the serious charges brought against him by the prosecution, the Tribunal is mindful that Karadzic enjoys the presumption of innocence and is committed to do all within its competences to ensure a fair and public trial in accordance with the highest standards of international law.

This arrest may be considered another milestone in the development of international law and further fulfillment of the Tribunal's mandate to bring to justice the most senior persons alleged to be most responsible for war crimes in the Yugoslav conflicts.

A case information sheet providing an overview of the case can be found on the Tribunal’s website at http://www.un.org/icty/cases-e/cis/mladic/cis-karadzicmladic.pdf


*****

Courtroom proceedings can be followed on the Tribunal’s website at www.un.org/icty"

read the article from bloomberg.com

heroic

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today i will dare to be offline for a few hours while i am at home, in order to make my analogue surroundings suck less. but i will be back pretty soon, nourishing my not so immaculate conception.

take his hand?

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cela vient d'ici (comes from here)

21.7.08

today and yesterday

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